I know he keeps his Superman suit under his suit and tie, but what happens to his suit and tie when he becomes superman? Where does it go? I was just curious please help anyone.When Clark kent changes into superman, what happens to his suit and tie??He's just rippin them off and leaving them littered all over Metropolis, that's why he needs job at Daily Planet, to pay for new suits!! (0_~)When Clark kent changes into superman, what happens to his suit and tie??
well seeing as he is superman there are a great many options of what he may or may not do with his suit and tie post clothing change. the following are my best theses.
A. Mr. Kent simply folds them into a square with an area of 1 inch by 1 inch then storing them in his spandex. With his shoes he may just simply store them in what could be considered a gullet of some sorts in his throat.
B. He sets them on fire with his heat vision and is able to buy a new suite every single day because of well placed investments in the clothing industry and banking.
C. He has a monoply on all phone booths in the United States, thus being granted the power to close down the phone booth for "maitnence" after his usage.When Clark kent changes into superman, what happens to his suit and tie??I've seen 2 explanations,
one states that he pretty much leaves them where he changes (a few years back I read a comic in which Perry White found a dusty set of clothes w/ CK's Press pass, in the Globe atop the planet, and deduced Superman's ID, and took the same approach Lucius Fox did in Batman Begins)
the other is from a Novel from the mid 80's in which they said he compresses the clothes to the size of cracker, and slips them into a pouch in the edge of the cape
In my opinion he probably does it like Spiderman..but Spiderman puts his clothes in a web kinda of bag and places it somewhere safe. Same with Superman. When hes trying to change in an alley he places his suit and tie in a hidden place, for example behind a trash can.
2) Or he might do the opposite. He might put his suit and tie inside his Superman suit.When Clark kent changes into superman, what happens to his suit and tie??The Good Stuff. Of course, that all comes down to personal opinion and what your general tastes are. Here at the Comics Bulletin, you can speak your free mind and discuss this blessed art-form with other individuals who are just as passionate about comics as you are. At Comics Bulletin, we pride ourselves on great reviews, fantastic features and a spectacular atmosphere for discussion. Our reviews are second to none covering every corner of the industry from the big guys to the little guys. But sometimes a comic book that doesn’t achieve a certain mark features a scene or a moment that really stands out. A 2.5 bullet book could have the best scene of the week’s stack, but the overall book could come up short in a reviewer’s opinion. So here it is, a column devoted to those moments, a “best of the week” type thing that acts as an addition to our extraordinary reviews. Feel free to agree, disagree, call for the tar and feathering of Kevin Powers, but take a second to check it out; maybe you missed some of the Good Stuff and you can grab it with this week’s stack.
Good Stuff #31: Superman Disguises as Clark Kent! Superboy-Prime Whines His Way Back! Great Artwork! The Green Goblin Wants to Show Spidey “New Ways to Die!” JLA vs. Amazo AND MORE!
Best Cover:
Where is it?Amazing Spider-Man #568
Written by: Dan Slott
Cover by: Alex Ross
There are readers who love “Brand New Day” and readers who hate “Brand New Day,” but the bottom line is that Amazing Spider-Man still sells well. While I prefer Spidey being with and married to Mary Jane, I’d be a liar if I said I didn’t enjoy the majority of “Brand New Day” ideas. But I saw all the “Spider-Man Faithful,” as I call them, the old time fans who swore off Spider-Man after “Brand New Day,” buying up both covers of Amazing Spider-Man #568. The cover that sold the most and seemed to attract the readers back to their old favorite was the Alex Ross variant featuring everyone’s favorite nut-job, Norman Osborn. “New Ways to Die” is the latest story-arc that will bring the Green Goblin and Venom back to their original stomping grounds. The variant cover by Alex Ross is fantastic, evoking thoughts of chaos, madness and making the old Spidey fans crack a big smile once more. What’s even better about this issue is that Norman doesn’t come alone, he brings the Thunderbolts.
Best Single Page of the Week, Marvel Side:
Where is it? Captain America #41
Written by: Ed Brubaker
Art by: Steve Epting
Who is it? Bucky-Cap in all his Glory
Due to my love and loyalty to Steve Rogers, no matter how temporary his death may be, I still won’t call Bucky “Captain America.” However, the final page of this issue is absolutely gorgeous. Bucky’s journey of assuming the mantle of Captain America comes to a close as he makes himself public and declares “I am Captain America.” While I would venture to disagree with him, Steve Epting, Rick Magyar and Frank D’Armata most certainly bring a definitive look and moment to Bucky’s tenure as Cap. Not because he is declaring that he is Captain America, but because on this page he actually looks like Cap, minus the altered costume. I love the way Bucky seems to leap off the page, dodging bullets, his legs positioned as if he’s about to kick someone square in the jaw, and looking as if he’s ready to toss the shield while bullets bounce off of it. However, what really makes the image superb is the way it is framed. There’s a white circle around Bucky running off the page that he seems to be jumping through. Whether you like Bucky as Cap or not, this is a fantastic image that should make any Cap fan pay top dollar for prints and posters.
Best Single Page of the Week, DC Side
Where is it? Flash #243
Written by: Tom Peyer
Art by: Freddie Williams II
What is it?: The Master of the Speed Force, Wally West, The Flash
The latest story-arc in The Flash has been hit or miss with me. It kind of jumped all over the place, started off a bit weak but picked up when the focus was taken off the ludicrous “Wally out of work” idea and focused on the kids’ rapid aging process. In this issue, Wally fantastically uses the Speed Force to effectively end the rapid aging of his two children and return them both to their pre-teen states. It was a great sequence that proves beyond a shadow of a doubt that Wally will always be the master of the Speed Force. This issue also concludes Tom Peyer and Freddie Williams II’s run on the title and they go out in spectacular fashion. There are some readers who are critical of Williams II’s work, but I have actually enjoyed it quite a bit. The final page of this issue, and also the send-off of Peyer and Williams II’s run, is actually one of the best Flash pin-ups I have seen in a while. It’s colorful, well-drawn and rendered in a way as if Flash is jumping off of the page. What’s even more is that the classic lightning bolts rushing off the yellow part his costume look greats, as if Wally is channeling the SpeedWhen Clark kent changes into superman, what happens to his suit and tie??
im not sure about now, but back in the 1940's he used to use his super strengh to compress his cloths to the size of a quarter and just bring it with him. doesn't make much sense, but It was the 1940's.
as for now,he probably just leaves it in the phone booth.
It's one of the very hot, physique-related mysteries of Superman. I assume since it's rather skin tight, it's like the X-Men in spandex. :-)When Clark kent changes into superman, what happens to his suit and tie??
He just throws it away. He can just steal another one later, he's friggin' Superman.
Ahhh man, I haven't even thought of that!! Good question. LOL
Maybe it disintegrates? Lays on a cloud til he needs them again? I have no clue!!
My guess is that he just leaves it in the telephone booth that he changes in?
my guess is he leaves it in the phone booth, but i don't no its gonna be one of those unknown things about moives/tv
he eats them really fast then poops them out later to wash
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